Wednesday, June 6, 2007

Greenpoint @ "Time Out" & "New York"


The Greenpoint district of Brooklyn has been widely described as the next "next modern" neighborhood in New York. June issue of "Time Out New York" has dedicated its 3 pages to tell about it, writing about some of the stores, bars and restaurants, mentioning fast development in terms of real estate and such.

The "New York" magazine on the other hand takes a closer look at the oil spill in the Newtown Creek and its influence on Greenpoint and other residential areas. By the way - on the regular column - "approval matrix" - it mentions "the Teletubbies case" in Poland.

Tuesday, May 29, 2007

Dog's poop everywhere


One of the things I can't stand in the part of Queens where I live is dog's poop that is literally everywhere. My observation gives me a conclusion that mainly Latinos, who are residents of that particular part of Ridgewood bordering Brooklyn at Cypress Ave., do not clean after their dogs. Try to omit stepping into a poop while heading north from Wyckoff Ave. on De Kalb and then Stockholm. Sometimes it requires extra skills to avoid spoiling your footwear and your mood.
On various occassions did I see how fancy looking old ladies are carrying newspaper or plastic bags to clean after their pooch in Manhattan or other parts of Queens.
It is not the case in Ridgewood, where dog owners just don't care unless it is their own driveway or piece of sidewalk in front of their home. Large dogs are being walked on part of the Stockholm St. close to St. Aloysius church where the pet can shit freely and is not bothered by anyone. Like it is nobody's property... I just can stand it. What if I made a poop under your window? How would you feel?
I wish there would be more sanitation officers patroling the area and handing out tickets to those 'dog loving' guys. A ticket or two would be a good lesson once and for all.


http://www.doglaw.com/New-York-City-Laws/new-york-dog-poop-law.html

Fox News laughs out prime minister J. Kaczynski

Thursday, May 10, 2007

New York's mass transit

I read in one of the "Metro" reader's submissions its author couldn't stand the passengers refusing to take off their backpacks on the subway cars. Regretting lack of some personal space the reader suggested there should be a campaign by MTA with pictured instructions, how to behave in the subway while carrying a backpack. It is true that passengers with large bags may be annoying, especially when you are trying to squeeze into an overcrowded car. But let's not forget, what mass transit is all about. Everybody has a right to use it, even one with stroller or bicycle. What's next? We should ban the obese or people with large suitcases from the subway? They are also taking someone's "personal space". Give me a break. Or if you feel uncomfortable in the subway - why don't you just take a cab!
Marcin Poznan

Tuesday, May 1, 2007

Gen. Jaruzelski threatens to discredit Solidarity


Gen. Wojciech Jaruzelski, Poland's last communist leader, said he would try to discredit the Solidarity freedom movement should he be brought to court on charges of imposing martial law in 1981, according to an interview published Monday.

Read the entire article by Associated Press in the International Herald Tribune

Jaruzelski's picture comes from Polish Defense Ministry archive and was made in early 60's, when he was appointed the general chief of staff of the Polish Army

Monday, March 26, 2007

Terrorized by "War on Terror"


How a Three-Word Mantra Has Undermined America


By Zbigniew Brzezinski
Sunday, March 25, 2007; B01 WashPost


Photo by Polish American Congress Washington DC Metro Division

Click here for a link to Washington Post website with this article

The "war on terror" has created a culture of fear in America. The Bush administration's elevation of these three words into a national mantra since the horrific events of 9/11 has had a pernicious impact on American democracy, on America's psyche and on U.S. standing in the world. Using this phrase has actually undermined our ability to effectively confront the real challenges we face from fanatics who may use terrorism against us.

The damage these three words have done -- a classic self-inflicted wound -- is infinitely greater than any wild dreams entertained by the fanatical perpetrators of the 9/11 attacks when they were plotting against us in distant Afghan caves. The phrase itself is meaningless. It defines neither a geographic context nor our presumed enemies. Terrorism is not an enemy but a technique of warfare -- political intimidation through the killing of unarmed non-combatants.

But the little secret here may be that the vagueness of the phrase was deliberately (or instinctively) calculated by its sponsors. Constant reference to a "war on terror" did accomplish one major objective: It stimulated the emergence of a culture of fear. Fear obscures reason,intensifies emotions and makes it easier for demagogic politicians to mobilize the public on behalf of the policies they want to pursue. The war of choice in Iraq could never have gained the congressional support it got without the psychological linkage between the shock of 9/11 and the postulated existence of Iraqi weapons of mass destruction. Support for President Bush in the 2004 elections was also mobilized in part by the notion that "a nation at war" does not change its commander in chief in midstream. The sense of a pervasive but otherwise imprecise danger was thus channeled in a politically expedient direction by the mobilizing appeal of being "at war."

To justify the "war on terror," the administration has lately crafted a false historical narrative that could even become a self-fulfilling prophecy. By claiming that its war is similar to earlier U.S. struggles against Nazism and then Stalinism (while ignoring the fact that both Nazi Germany and Soviet Russia were first-rate military powers, a status al-Qaeda neither has nor can achieve), the administration could be preparing the case for war with Iran. Such war would then plunge America into a protracted conflict spanning Iraq, Iran, Afghanistan and perhaps also Pakistan. The culture of fear is like a genie that has been let out of its bottle. It acquires a life of its own -- and can become demoralizing. America today is not the self-confident and determined nation that responded to Pearl Harbor; nor is it the America that heard from its leader, at another moment of crisis, the powerful words "the only thing we have to fear is fear itself"; nor is it the calm America that waged the Cold War with quiet persistence despite the knowledge that a real war could be initiated abruptly within minutes and prompt the death of 100 million Americans within just a few hours. We are now divided, uncertain and potentially very susceptible to panic in the event of another terrorist act in the United States itself.

That is the result of five years of almost continuous national brainwashing on the subject of terror, quite unlike the more muted reactions of several other nations (Britain, Spain, Italy, Germany, Japan, to mention just a few) that also have suffered painful terrorist acts. In his latest justification for his war in Iraq, President Bush even claims absurdly that he has to continue waging it lest al-Qaeda cross the Atlantic to launch a war of terror here in the United States.

Such fear-mongering, reinforced by security entrepreneurs, the mass media and the entertainment industry, generates its own momentum. The terror entrepreneurs, usually described as experts on terrorism, are necessarily engaged in competition to justify their existence. Hence their task is to convince the public that it faces new threats. That puts a premium on the presentation of credible scenarios of ever-more-horrifying acts of violence, sometimes even with blueprints for their implementation.

That America has become insecure and more paranoid is hardly debatable. A recent study reported that in 2003, Congress identified 160 sites as potentially important national targets for would-be terrorists. With lobbyists weighing in, by the end of that year the list had grown to 1,849; by the end of 2004, to 28,360; by 2005, to 77,769. The national database of possible targets now has some 300,000 items in it, including the Sears Tower in Chicago and an Illinois Apple and Pork Festival.

Just last week, here in Washington, on my way to visit a journalistic office, I had to pass through one of the absurd "security checks" that have proliferated in almost all the privately owned office buildings in this capital -- and in New York City. A uniformed guard required me to fill out a form, show an I.D. and in this case explain in writing the purpose of my visit. Would a visiting terrorist indicate in writing that the purpose is "to blow up the building"? Would the guard be able to arrest such a self-confessing, would-be suicide bomber? To make matters more absurd, large
department stores, with their crowds of shoppers, do not have any comparable procedures. Nor do concert halls or movie theaters. Yet such "security" procedures have become routine, wasting hundreds of millions of dollars and further contributing to a siege mentality.

Government at every level has stimulated the paranoia. Consider, for example, the electronic billboards over interstate highways urging motorists to "Report Suspicious Activity" (drivers in turbans?). Some mass media have made their own contribution. The cable channels and some print media have found that horror scenarios attract audiences, while terror "experts" as "consultants" provide authenticity for the apocalyptic visions fed to the American public. Hence the proliferation of programs with bearded "terrorists" as the central villains. Their general effect is to reinforce the sense of the unknown but lurking danger that is said to increasingly threaten the lives of all Americans.

The entertainment industry has also jumped into the act. Hence the TV serials and films in which the evil characters have recognizable Arab features, sometimes highlighted by religious gestures, that exploit public anxiety and stimulate Islamophobia. Arab facial stereotypes, particularly in newspaper cartoons, have at times been rendered in a manner sadly reminiscent of the Nazi anti-Semitic campaigns. Lately, even some college student organizations have become involved in such propagation, apparently oblivious to the menacing connection between the stimulation of racial and religious hatreds and the unleashing of the unprecedented crimes of the
Holocaust.

The atmosphere generated by the "war on terror" has encouraged legal and political harassment of Arab Americans (generally loyal Americans) for conduct that has not been unique to them. A case in point is the reported harassment of the Council on American-Islamic Relations (CAIR) for its attempts to emulate, not very successfully, the American Israel Public Affairs Committee (AIPAC). Some House Republicans recently described CAIR members as "terrorist apologists" who should not be allowed to use a Capitol meeting room for a panel discussion.

Social discrimination, for example toward Muslim air travelers, has also been its unintended byproduct. Not surprisingly, animus toward the United States even among Muslims otherwise not particularly concerned with the Middle East has intensified, while America's reputation as a leader in fostering constructive interracial and interreligious relations has suffered egregiously.

The record is even more troubling in the general area of civil rights. The culture of fear has bred intolerance, suspicion of foreigners and the adoption of legal procedures that undermine fundamental notions of justice. Innocent until proven guilty has been diluted if not undone, with some -- even U.S. citizens -- incarcerated for lengthy periods of time without effective and prompt access to due process. There is no known, hard evidence that such excess has prevented significant acts of terrorism, and convictions for would-be terrorists of any kind have been few and far between. Someday Americans will be as ashamed of this record as they now have become of the earlier instances in U.S. history of panic by the many prompting intolerance against the few.

In the meantime, the "war on terror" has gravely damaged the United States internationally. For Muslims, the similarity between the rough treatment of Iraqi civilians by the U.S. military and of the Palestinians by the Israelis has prompted a widespread sense of hostility toward the United States in general. It's not the "war on terror" that angers Muslims watching the news on television, it's the victimization of Arab civilians. And the resentment is not limited to Muslims. A recent BBC poll of 28,000 people in 27 countries that sought respondents' assessments of the role of states in international affairs resulted in Israel, Iran and the United States being rated (in that order) as the states with "the most negative influence on the world." Alas, for some that is the new axis of evil!

The events of 9/11 could have resulted in a truly global solidarity against extremism and terrorism. A global alliance of moderates, including Muslim ones, engaged in a deliberate campaign both to extirpate the specific terrorist networks and to terminate the political conflicts that spawn terrorism would have been more productive than a demagogically proclaimed and largely solitary U.S. "war on terror" against "Islamo-fascism." Only a confidently determined and reasonable America can promote genuine international security which then leaves no political space for terrorism.

Where is the U.S. leader ready to say, "Enough of this hysteria, stop this
paranoia"? Even in the face of future terrorist attacks, the likelihood of
which cannot be denied, let us show some sense. Let us be true to our
traditions.

Zbigniew Brzezinski, national security adviser to President Jimmy Carter, is the author most recently of "Second Chance: Three Presidents and the Crisis of American Superpower" (Basic Books).

here's the full article from BBC

Poland's public radio station has begun broadcasting a daily programme in Hebrew for Israelis, many of whom have roots in Poland.

The 30-minute programme - Kol Polin (Voice of Poland) - is part funded by Poland's foreign ministry. The head of the radio's Hebrew section, Michael Hermon, said people should know about Jewish life in Poland, and "not only museums and concentration camps".
Before the slaughter by the Nazis, some 3.5 million Jews lived in Poland. They formed Europe's biggest Jewish community - but most of them were wiped out in the Holocaust in World War II. Israeli tours always visit the former Nazi death camps of Auschwitz and Treblinka but often they have no contact with Poland's living Jewish communities, Mr Hermon told the BBC.
Today it is estimated there are 30,000 people with Jewish roots living in Poland. Because the communist authorities stifled discussion about Jewish life, people have only been rediscovering it in the last 20 years, the BBC's Adam Easton reports.
Synagogues have reopened and new rabbis have been appointed. There are even cases of Poles brought up as Catholics, discovering their parents or grandparents were Jewish.

The article was illustrated by a picture by AFP of renovated Jeszywas Chachmei synagogue in Lublin, the caption says:Poland Jewish culture is undergoing a revival in Poland

Polish radio broadcast in Hebrew

Read a piece by BBC correspondent in Poland. The note mentions that synagogues have reopened and new rabbis have been appointed. There are even cases of Poles brought up as Catholics, discovering their parents or grandparents were Jewish.
Click here to read a story from BBC News

Wednesday, March 21, 2007

Colorful Tolerance

It is the eight time this event is taking place in Lodz. Mayor Jerzy Kropiwinicki took part in painting over the anti-Semitic graffiti on the city walls.

"Despite the fact that these insulting writings appear on the walls again and
again, we should continue our action called 'Colorful Tolerance',Kropiwnicki said about the effort, in which deputy mayor Wlodzimierz Tomaszewski, students from Lodz schools, their teachers and journalists also participated.

"I believe that the public awareness will be constantly awakened and developing. It is just damaging of private property. The graffiti like these is not only insulting to the people stigmatized by them, but is also highly discrediting to our city's dignity. I believe that gradually we will come to the point there will be no public approval for spraying graffiti over house walls, destroying private property.
When I see the writings like those, I feel deep sadness, because they do not reflect the public feeling in this city",Kropiwnicki told the Polish state news agency PAP.

According to the mayor, the anti-Semitic graffiti is "being spotted by people
disliking Lodz". "Our guests from Israel aren't hurt that much by them, since they saw the genuine soul of the people of Lodz, but they still do harm to us, the city and the Lodz people. A theatrical plays are being created using the images from city walls as their background" -
explained Kropiwnicki.

Teachers that brought their students to paint over the writings together with them also think that the "Colorful Tolerance" in Lodz should be continued. "It is really a great action the kids love to take part in", saidMalgorzata Wildner, one of the teachers from PS 110 in Lodz.

"Colorful Tolerance" was started by some journalists and local politicians in
2000. One of its this year's events was a debate about Polish-Jewish dialogue last Thursday with prof.Wladyslaw Bartoszewski , students from several Lodz schools and a youth group from Israel. Painting over the graffiti is taking place every year on March 21, the first day of spring.

Friday, March 16, 2007

Dear Marcin,

Thank you for your email.

Besides the issue of a foreign embassy involving itself in the affairs of a local theater, we are offended by Mr. Piotr's insinuation that we're racist and find it lacking of taste. For more of the story, as reported by the New York Post, click here. (Notice what they say about "theater staffers.")

Re the Consul General: There is no letter from him received in our office; all exchanges with him were verbal. Part of it follows below: Mr. Krzysztof Kasprzyk was present at the first preview showing of the play. Following the play, Mr. Tenenbom saw him downstairs, surrounded by a small crowd, as he loudly and angrily shared his thoughts with them. When he noticed
Mr. Tenenbom he raised his voice at him and accused him of "desecrating the Polish flag" by projecting anti-Semitic slogans on it. Mr. Tuvia Tenenbom calmly responded that the graffiti came from Poland, that it is present all over in Lodz as we speak, and that he did not mean to desecrate anything except than present life as it is in that part of the world. Mr. Krzysztof Kasprzyk, his voice rising, then loudly accused Mr. Tenenbom for engaging in racist entertainment thru the use of a "Polish character in the play who turns into a Nazi." Mr. Tenenbom responded that same character turns later into a Jew--and that no Jew ever objected to it and that he wonders why the Consul General does. At this Mr. Krzysztof Kasprzyk calmed down, looked at Mr. Tenenbom and said: "You tried to encourage intellectual debate and you certainly succeeded. As you can
see, we all talk and argue about the play. This is a good thing, I must admit." But in an interview on Polskie Radio, this same Consul General lashed out at the play, saying it encourages no discussion, etc. This flip-flopping from a foreign dignitary, saying one thing and then its exact opposite, is sad. We also think that his behavior at the theater was not worthy of a diplomat--of any nation. In addition: The reporter for the radio (Joanna Najfeld), who had not seen the show (the Opening was March 11), lashed out at the play as well, as if she'd seen it and could pass any judgment on it.

Cordially Yours,
Liz Lauren
The Jewish Theater of New York

Thursday, March 15, 2007

letter feud


Here is an exchange of letters between Poland Embassy press speaker in Washington DC and JTNY Director Tuvia Tenenbom. (the copy of the letter from the embassy above - click on it and you can blow it up to read easily)

Responding to Accusations by a Foreign Embassy against Our Theater,
re our show, LAST JEW IN EUROPE, which depicts rising anti-Semitism in Lodz,
Poland


Mr. Piotr Erenfeicht,
Embassy Press Secretary
Embassy of the Republic of Poland
2640 16th St, N.W.
Washington D.C. 20009

Dear Mr. Erenfeicht,

I am in receipt of your letter to our theater, and am honestly baffled by it-not really understanding why a foreign embassy would find it necessary to get involved in the affairs of an American theater company.

Your complaint that our Press Release might negatively affect American Jews, by creating "anger against the Polish people," seems ridiculous to me. American Jews, just like any other mature group of people, have their own brains and are surely mentally capable to draw conclusions on their own.

Your further deliberation in same letter, where you accuse us of engaging in activities that "may be viewed as racist," is wholly insulting and quite unproductive. Not one of the anti-Semitic images, those used in the Press Release or on our website, is of our own creation. All the images were taken late last year in the city of Lodz, where almost not a single street is clean of them. The most shocking of images, the most vulgar of curses, and the most horrific of anti-Semitic calls can be seen TODAY in almost every street in Lodz, the second largest city in Poland. Calls to throw Jews out of Poland, or send them back to the gas chambers, go unchallenged in a major city in your country. Images of Star-of-David on the gallows, swastikas, derogatory Star of David's, and other abominable graffiti adorn the walls of a EU member state in the year 2007, and you blame us?? That you would see in our cry for justice an act of racism, is quite frankly disturbing.

You also state that I overlook acts of kindness and friendship to Jews on part of Lodz institutions. You cite Lodz's "Four Cultures Festival" as an example. Well, to inform you, I've been there. I was amazed by how this Festival so carefully chooses Jewish shows that depict Jews as a nebbish bunch of idiots. You do find your Jews, I must admit. But it's not only that Festival: Most Polish theaters are guilty of the same attitude. (BTW: My attempts to get Polish theaters to join us in condemning the rise of anti-Semitism within their own country failed; no theater agreed to have the LAST JEW IN EUROPE produced in their theaters. In private conversations I was told that had they joined us, the government would've stopped funding them and that the masses would've rioted outside the theater, demanding the show be stopped.)

Responding to your last comment, about some citizens' efforts to paint over the anti-Semitic images, I am glad to inform you that I met those people-and always do when I am in Lodz. But you know the story as well as I: If you paint over those images, it takes a day or two and all the images "magically" reappear. As far as my knowledge goes, not one member of our theater is responsible for that. But one thing I can tell you: It is time, I think, that your government makes public display of anti-Semitism a felony. I have said so again and again, asked for it numerous times during my various visits to Lodz, but my requests fell on deaf ears. My dear Piotr: If you really care how your country is seen in this land, save your preaching to your own government and get them to move to action today. Blaming the victim is an interesting concept in psychology, but I refuse to will myself as your desperate patient.

It does happen now and again that Jewish organizations are being blamed for getting involved in matters not of their authority, and for trying to arbitrate and force opinion in issues they should not touch. (Witness the recent story re the Polish Consulate General in NYC.) If there's anything positive to your letter it is in the fact that the "Jews" are not the only ones engaging in such a ridiculous activity.

In conclusion, let me say this to you: My family comes from Poland, and most of my dead relatives lie in the belly its earth. You can call me Polish, if you so wish--and I will respond kindly. But know this: what I found in Lodz is just a little part of the puzzle; what I saw in other cities was even worse. You can read this Letter from Poland, where you'll learn what I found out recently: my grandparents remains being used as a fertilizer--to this day. I am saddened, probably more than you, by the state of anti-Semitism in your, and my, country. It's time that the Polish government start remedy the disease within instead of accusing everyone without.

With the hope that my words fall on willing ears,

Tuvia Tenenbom, Artistic Director
The Jewish Theater of New York


www.JewishTheater.org
212.494.0050
15 Penn Plaza, B53, New York City
Mail: P.O.B. 845, Times Square Sta., New York, NY 10108

Keeping sterotypes alive - The last Jew in Europe


Photo by Marcin Poznan

How to discuss with someone, who - while looking for anti-Semitism in Poland - finds only the things he wants to find?

I asked myself this question after watching a play entitled "The Last Jew In Europe" by Tuvia Tenenbom of Jewish Theater of New York at a small theatrical stage of Manhattan's Upper West Side. According to the author it is supposed to depict the phenomenon of primitive anti-Semitism, which Tenenbom came across during his visit in Poland.
Maria, a daughter of a female butcher in modern Lodz is to wed Jozef, who is hiding from her his Jewish ancestry. When at the end Jozef turns out to be a son of a genuine German Nazi, he becomes from then on a fanatic anti-Semite. Maria of course deeply wishes to marry a descendant of infamous Josef Mengele than a Jew. Finding out she is Jewish herself is a great personal tragedy to her that leads her into prostitution.
The play is started with some images of graffiti from the streets of Lodz carrying anti-Semitic notion. Among many "Jebać Żydzew" (translated as "Fuck Jews" - not appropriate though, as it is a game of words with Polish word "Żyd" and a name of a local soccer club "Widzew") and the Star of David written into an abbreviation of worker's sport association of Lodz (RTS Widzew Lodz). Writings like those, constantly faught against by Lodz authorities by painting them over - although obviously primitive anti-Semitic in their content - are part of a much more complex phonomenon of word fight by warring hooligans of two local soccer clubs.
The play is being advertised by a poster showing two miniature figurines made of plasticine material carrying a genuine natural sized Polish one grosz coin (like a penny). The name of this exhibit is supposed to be "Little Jews Carrying Money", but the audience doesn't know whether it is a part of any extended exhibition or such. (Perhaps was it also an artistic provocation by contemporary artists of Lodz, just as one may consider Tenenbom's play?). Point is, they fit into the climate created around the play. In a little leaflet handed out before the show there is also an anti-Semitic quote from Maciej Giertych's (Polish radical right-wing member of European Parliament) book that was issued in February carrying European Parliament's logo.
In the brochure Tuvia Tenenbom describes his impressions of travelling to Poland (one of two "exotic" countries he likes to visit occassionally, the other one being Jordan). He claims that anti-Semitic graffiti is seen on every street of Lodz and the Jewish postwar survivors live in hiding. He met a man in Lublin once totally obsessed with a vision of "all-present Jewishness", because of which the poor man cannot fall asleep. In a Radzyn village around Lodz Tenenbom - whose ancestors had been baptised after their death by Mormons - as he himself states, found the place his grandparents were buried. Today there is a private house and an apple orchard. According to the theater artistic director a woman named Basia is proud to have her apples grow so well on a fertilizer from Jews. And when her teenage daugther accidently came across a hand bone sticking out of the ground, her mother allegedly stuck it back into the earth and plowed the field. The picture of both - the woman and her daughter - are to be seen at the cover of the brochure. I wonder if they are aware of the fact, that they are starring in New York as an example of primitive anti-Semitism.
Because of descriptions like those - to be read on the theater's website - www.jewishtheater.org - Poland seems to be a superanti-Semitic country, although they are setting fires to synagogues and devastating Jewish cemeteries in France, and a seat of the Central Jewish Council in Berlin, Germany is regularly being overflooded by letters containing anthrax or anonymous threats. On the other hand it is true that still a lot needs to be done in Poland and a play like this one - although carrying exaggerated content at times - can stimulate the process.
Too bad that the whole atmosphere produced around the play makes its point vanish somewhere. This is why this very opinion concentrates on the frame rather than on the tragicomedy itself.
Finally it is good to remember, that "The Last Jew in Europe" is just art, and art likes to provoke and create discussion. It is aimed at people that are wise and aware of historical facts. Much worse, however, if for the people who naturally approve the term "Polish death camps", the images shown by Tenenbom will become the revealed truth.